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|
 |
| TRK |
Title |
Description |
Length |
|
1-3 |
"Big Screen Raiders" |
big, movie-like orchestration portrays epic adventure/chase |
:60, :30, :13 |
|
4-6 |
"Big Screen Chase" |
danger, intrigue; portrays epic adventure/chase |
:60, :30, :12 |
|
7-9 |
"Tango Happy" |
authentic, acoustic latin salsa rhythm with sax lead |
:60, :30, :09 |
|
10-12 |
"Spanish Dancer" |
accordian and snare drum perform a traditional tango |
:60, :30, :10 |
|
13-15 |
"Tension Zone" |
med. intensity w/hip street-beat groove; unique, suspenseful |
:60, :29, :11 |
|
16-18 |
"Night Intrigue" |
suspenseful arpeggiation; chilling night-like effects; med. danger |
:60, :30, :16 |
|
19 |
"Stairway to Madness" |
dramatic, classical touch; mystery, drama |
:60 |
|
20 |
-- alt. version |
piano and flute only |
:60 |
|
21-22 |
-- edit versions |
edits of track #19 |
:30, :14 |
|
23-25 |
"Moonlight Sale" |
cool, walking base accented by night wolf calls, percussion |
:60, :30, :10 |
|
26-28 |
"Gremlin Sale" |
crazy, laughing gremlin "slashing prices" & creating general havoc |
:60, :30, :10 |
|
29-31 |
"Desolation" |
musical image of pure desolation; eerie, haunting, mysterious |
:60, :30, :10 |
|
32-34 |
"Thru the Looking Glass" |
soft & flowing but serious tone; med. mystery and suspense |
:60, :30, :17 |
|
35-37 |
"Crystalline" |
light, flowing atmosphere w/dreamlike sense of awe, wonder |
:60, :30, :16 |
|
38-40 |
"Moments Alone" |
positive, tender, hopeful, "mother & child" feel |
:60, :30, :17 |
|
41-43 |
"Windmills" |
hopeful progression; country-lane feel w/touch of reflection |
:60, :30, :15 |
|
44-46 |
"Renaissance Voices" |
Medieval/Renaissance aura; lush yet light w/ancient, dreamy feel |
:60, :30, :15 |
|
47-48 |
"Cathedral Voices" |
develops, conveys majesty, awe, reflection, and wonder |
:60, :30 |
|
49-50 |
-- edit versions |
edits of track #47 |
:14, :17 |
|
51-53 |
"Midnight Sun" |
journey thru exotic land pictured w/african-like drums; flute |
:60, :30, :12 |
|
54-56 |
"Nature's Hideaway" |
rainforest or paradise ambience; fresh, clean, pristine |
:60, :30, :15 |
|
57-59 |
"Wild Birds Aloft" |
minimal, austere; see birds over windswept northern beach |
:60, :30, :09 |
|
60 |
"Country Heritage" |
bell tree intro w/soft acoustic guitar; strains of old west |
:30 |
|
61 |
-- alt. version |
brighter version w/piano and flute added |
:30 |
|
62-63 |
"Old West Spirit" |
rugged individualist in effect score of western frontier ambience |
:30, :13 |
|
64-66 |
"Big as Texas" |
big, bold, hopeful orch. conveys westward expansion; panoramic |
:60, :30, :12 |
|
67 |
"Classical Groove" |
busy, hip, Bach harpsichord w/drum track |
:60 |
|
68 |
-- alt. version |
without drum track |
:60 |
|
69-70 |
-- edit versions |
edits of both versions |
:30, :30 |
|
71 |
"New York Groove" |
"gotta keep movin'" feel progesses to busy, building, uptown score |
:60 |
|
72 |
-- alt. version |
snappy rhythm version |
:60 |
|
73-74 |
-- edit versions |
edits of track #71 |
:30, :09 |
|
75-77 |
"4th of July Parade" |
band performs lighthearted salute to the 4th of July |
:60, :30, :13 |
|
78-80 |
"Clowns on Parade" |
classically playful circus-style orch; happy, light-medium goofy |
:60, :30, :10 |
|
81-83 |
"Funny Face" |
whimsical, carnival carousel feel; bright, bouncy; clumsey clown |
:60, :30, :10 |
|
84 |
"Down at the Drive-In" |
rockin' piano leads band in hop back to the 50s; light 50s rock |
:60 |
|
85-87 |
"Wedding March" |
classic wedding march orchestration |
:60, :30, :13 |
|
88-90 |
"Here Comes the Bride" |
classic wedding organ march; full, proud arrangement |
:60, :30, :19 |
|
91-93 |
"Welcome to Suburbia" |
builds to feel of large, bustling city of commerce or 50s suburbia |
:60, :30, :12 |
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